My Halloween countdown of artists continues with Travis Louie. Previous entries in this series explored the artwork of Chet Zar and Laurie Lipton. The first entry in this series involved a painting by Chet Zar. The painting by Zar, titled “Night”, was inspired by George A. Romero’s cult classic ’Night of the Living Dead’. The second entry focused on the artwork of Laurie Lipton-- an artist who often switches the roles between the living and the deceased.
Travis Louie’s art is not so much chilling as it is downright fun. Louie has created his own imaginary world that-- as he has stated-- is grounded in Victorian and Edwardian times. Louie’s world is inhabited by various oddities and joyful abominations-- all of which appear to embrace the upper crust of their society.
Oliver Smiley - 11 x 14 inches, acrylic on board by Travis Louie
Showing posts with label Laurie Lipton. Show all posts
Showing posts with label Laurie Lipton. Show all posts
Wednesday, October 27, 2010
Monday, October 25, 2010
Art that is perfect for Halloween -- Laurie Lipton
My Halloween countdown of artists who borderline on the macabre-- or simply stimulate the imagination of viewers with artwork that is both chilling and thought provoking-- continues. The first in this series involved a painting by Chet Zar. The painting by Zar, titled “Night”, was inspired by George A. Romero’s cult classic ’Night of the Living Dead’. In the scope today-- Laurie Lipton.
Reunion -- charcoal & pencil on paper 55 x 63 cm by Laurie Lipton
I conducted an interview with Laurie Lipton back in 2007. Thus, I’ve been aware of her artwork for a few years-- and have always been impressed. Lipton’s meticulously detailed drawings often involve a sense of impending death-- many of her works seem to explore a twisted reality where the living and the dead ‘live’ side-by-side. Other works provoke the idea that perhaps the living are not as alive as they might think-- a notion spurred by a change of roles between the living and the deceased.
Reunion -- charcoal & pencil on paper 55 x 63 cm by Laurie Lipton
I conducted an interview with Laurie Lipton back in 2007. Thus, I’ve been aware of her artwork for a few years-- and have always been impressed. Lipton’s meticulously detailed drawings often involve a sense of impending death-- many of her works seem to explore a twisted reality where the living and the dead ‘live’ side-by-side. Other works provoke the idea that perhaps the living are not as alive as they might think-- a notion spurred by a change of roles between the living and the deceased.
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