Brian Sherwin / Tonya Hoots interview with author Anne Bishop

The cover of Twilight's Dawn by Anne Bishop.
Cover: Art by Larry Rostand -- Design by Ray Lundgren

Anne Bishop is a New York Times best-selling author. Bishop has steadily made her mark in the fantasy genre since the release of her first novel, Daughter of the Blood, in 1998. Since that time she has authored over a dozen novels, including the award-winning Black Jewels Trilogy. Her most recent novel is Twilight‘s Dawn, a book set in the Black Jewels world.

Anne Bishop is known for creating character driven stories that explore good vs. evil themes-- as well as the complexities of relationships-- in a way that is uniquely hers. The characters and worlds that she has created in her novels are detailed-- bold worlds where a reader can explore his or her own imagination page after page. That is no easy task considering that the fantasy genre is often burdened with mediocre concepts, dry characters, and familiar plots.

Due to Anne Bishop’s originality she is considered by many to be one of the most influential fantasy storytellers writing today. Bishop offered her time to answer a few questions about her writing process, influences, and advice that she has for emerging authors.

Brian Sherwin: Anne, your books are known for meshing themes of sensuality and violence-- The Black Jewels series is a perfect example. In your opinion, what do you think attracts readers to these extremes within the context of your novels?

Anne Bishop: I can’t speak for other people, but sensuality and violence were not an unusual mix in the historical romances I was reading twenty years ago. So for someone who liked fantasy, horror, romance and “women‘s fiction,” putting elements of those genres together to create a violent, sensual, gritty world wasn’t that big of a jump. I think the attraction is being able to take a ride with powerful, dangerous characters in a place that exists only in imagination--the supreme exotic locale. It is writing about the play of human emotions--the joys and triumphs as well as the heartaches and failures--in an otherworldly setting that intrigues me. Perhaps that is the same reason readers are drawn to the stories.

Tonya Hoots: What do you think attracts readers to the fantasy genre in general? Why, in your opinion, do people need fantasy within their lives?

AB: Fantasy contains boundless possibilities. It contains the delight--and the fear--of things that are Other. In a background where anything can happen, the things we fear can be given tangible form and be defeated (sometimes). We also have a chance to explore the human heart without the constraints, and pain, of the real world. Wonder exists within the boundaries of the genre, and that makes it fun.

Brian Sherwin interview with author Janet Evanovich

Janet Evanovich is a New York Times best-selling author. Evanovich began her career by writing short contemporary romance novels under the pen name Steffie Hall. However, she is best known for authoring a series of contemporary mysteries featuring the character Stephanie Plum-- a woman who becomes a bounty hunter after losing her job as a lingerie buyer.

The Stephanie Plum series has been on-going since 1994. The Plum series, which are a mix of romance, mystery, adventure and humor have become widely popular in recent years. A film adaptation of Evanovich’s first book in the Stephanie Plum series, titled One for the Money, is currently in production.
(The following interview with Janet Evanovich was conducted with the assistance of Tonya Hoots.)

Brian Sherwin: Janet, I understand that when you attended college you majored in find arts-- further research revealed that your focus was on painting. Do you still paint? Also, would you say that your studies in art helped to set your direction as a writer-- in the sense that creating visual art can be considered a form of story-telling unto itself?

Janet Evanovich: I'm so busy writing and editing two books a year that I don't have time for painting anymore. The truth is that when I was painting, I was painting stories I was telling myself. When I look back at it, moving to writing was a very natural progression for me.